Vincent Willem van Gogh Sunflower Framed Poster


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Make a statement in any room with this Vincent Willem van Gogh Sunflower Framed Poster, printed on thick, durable, matte paper. The matte black frame that’s made from wood from renewable forests adds an extra touch of class.

• Ayous wood .75″ (1.9 cm) thick frame from renewable forests
• Paper thickness: 10.3 mil (0.26 mm)
• Paper weight: 5.57 oz/y² (189 g/m²)
• Lightweight
• Acrylite front protector
• Hanging hardware included
• Blank product components in the US sourced from Japan and the US
• Blank product components in the EU sourced from Japan and Latvia

Van Gogh Art On Artabys:

Van Gogh Starry Night Framed Poster

Vincent Willem van Gogh Sunflower Oil Painting

Sunflowers is the title of two series of still life paintings created by the Dutch painter Vincent van Gogh. The original title of these paintings was Tournesols, which is French. The first series was completed in Paris in 1887 and represents the flowers laying on the ground. The second set was created in Arles a year later and depicts a bouquet of sunflowers in a vase. Both sets were executed in the same year. Both sets were associated in the mind of the artist with the name of their mutual friend Paul Gauguin, who had purchased two of the Paris versions.

Sunflowers was a component of the painted Décoration for the Yellow House that van Gogh planned for the guestroom of his home in Arles, where Gauguin was supposed to stay. About eight months later, van Gogh hoped to welcome and wow Gauguin once more with the painting. After Gauguin’s departure, van Gogh reimagined the two primary versions as wings of the Berceuse Triptych, and he eventually included them in the exhibition he had at Les XX in Brussels.

Van Gogh Art On Artabys:

Vincent van Gogh Café Terrace at Night Framed Poster

Little is known about the activities that Van Gogh participated in during the two years that he spent in Paris with his brother Theo, 1886–1888. The fact that he had previously painted Sunflowers was not brought to light until the spring of 1889, when Gauguin claimed one of the Arles versions of the painting in return for studies he had left behind after moving from Arles to Paris.

Van Gogh was angered by Gauguin’s request and said that the latter had little legal standing to make such a demand: “My sunflowers will most certainly continue to be under investigation. Let’s not bother him with more of those because he already has two of them. And if he is not content with the trade that he has made with me, he can give me back both my portrait and the two sunflower canvases that he has taken to Paris, as well as his small canvas of Martinique and his self-portrait that was sent to me from Brittany. This is provided, of course, that he also returns his little canvas of Martinique. Therefore, in the event that he brings up this topic once more, you are now aware of the current state of affairs.”

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